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About Digital Art / Professional Community Volunteer Chris Palamara23/Male/United Kingdom Groups :iconcommunityrelations: communityrelations
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Introducing: fancyQUACKS

Issue no.2 out soon!

Issue no.2 out soon!

"The process of art is an escapist trait we use to detach ourselves from reality or simply life. In communicating this escapism to people outside of our worlds is an intimate gesture and wonderful gift. It’s an unspoken arrangement between artists and appreciators. It’s a quest of introspection for us to reflect on ourselves in response to art."

- puddlefisher in Issue no.1: Imaginary Friends and Foes

Design A Character

Be sure to check out what's going on over at Design-A-Character where a whole bunch of creatives whose commitments to character creation is pursued within weekly to monthly events. There are many challenges for which you may become a participant, and you can even submit to archived events. You can find a list of current activities below:

Shape Challenge October 2014

October Shapes 2014 by LuigiL

The shape line-up for this month's Shape challenge is available! The aim for this event is to design characters conforming to the shapes provided for their silhouettes. You may use the shapes as creatively, concisely or as outright cleverly as you want.


No. 1.5


Red Hot

by puddlefisher

We're all prone to habits and it's more curious to notice these than to be looted by an oversized goldfish with limbs and a baseball cap. I challenge you to notice them. It normally takes careful introspection or super compulsive behaviour to do this, but thank deviantART for preserving your footprints; you can do this easy peasy and it all starts in your Favourites and Collections. Your collections offer all kinds of clues to fellow deviants about what inspires you and they reveal trends you've picked up through time dating back since you started. To see this yourself is kind of nostalgic and from the outside looking in, it's very interesting to your fans.

So, here's what to do. Let's share your journey that details to your watchers where you've been and where you're headed in your arty quest of all quests...

Browse your Favourites and notice what you see - focus on anything that's a repeated trait of the deviations you collect. Once you've noticed some habits, choose one (such as "red", "anthro" or "fish hats") and endeavour to share these thumbs in a journal feature of your own. Let us know what struck you and talk about the change you can see throughout the timeline of your collections.

Use skins only at your convenience, there's no need to be fancy - so long as your feature presents a common theme that's mutual to all of the deviations you add then mission accomplished. Once you're done, share your feature with us in the comments below - let's get to know what makes you quack!


Here's mine
& a little on my selection:

"The evolution of interests was once more evident in stages from the fandom trends that largely dictated my collections in the past. But preoccupations in limited influences aren't as easy to put your finger on in recent years, and I think that's true with a lot of people expanding through art. The collection comments on my preference for colour and dynamism in art which is reflected in my own work; the kick-assery seen here consists of some influences that actively shape the decisions and pathways I take as an illustrator. Don't worry, blue - you'll be my favourite again some other day!"

No. 01



by puddlefisher

The relations between monsters and kids are never anything less than endearing. Unless it involves guts. In that case we’re bound to confront a cold, hard truth that reveals monsters are sometimes far removed from childhood wonderments as seen in Pixar and that checking our closets before bedtime isn’t a bad idea. And yes, these critters exist - so before getting too comfortable; there is probably a room you’ve forgotten to fumigate with the ole monster spray.

Alright, it’s time to come clean: stating monsters exist is a slight exaggeration. In fact, the monster spray trick only works on children because they believe in this stuff. But that’s the point: kids believe in this stuff. They have a rapport with monsters and that’s something we couldn’t take away even if we tried. We’ve all been there – either afraid of the dark, of sounds from under the bed or that creepy mascot from some local event – whatever the case, we believed even if a little. That’s the overarching premise in this very first instalment from fancyQUACKS.

Ready? Then sit tight as we explore imaginary friends and some rather unfriendly foes as seen in the minds of creatives sensitive to these themes. Let’s develop an insight into what their inner kid is asserting to their older selves and what their expression means to them.

A more focussed effort to this end will be around illustrator Daniel Alexander (subway-cat) whose playful cartoonist depictions meditates hugely on kids and critters.

These critters consider curly toes of boys a particularly toothsome delicacy (without the nails, of course). They find other preferences in finely chopped pigtails seasoned in stomach acid. The burden on kids to avoid these foes is great – meaning talking to strangers is off-limits and night time means home time.

Monsters and how to fight them... With art!

Sparky Frankenweenie by SparkyFrankenweenie0
Popular monsters in the media can be super advocates for the notion of ‘monsters’ being a balanced view, with “good” monsters being plausible at all. But the horror icons omnipresent from 20th century film instil fear that’s infectious to kids who are making sense of the world through television screens. It’s one of influences keeping momentum in the preoccupation of critters and the themes around them that are actively recycled and regenerated.  Unfriendly foes are a rumination among kids and when it drives their creative journeys it becomes a noteworthy thing!

it scares little kids AND little monsters by Pharaoh-Ink
So what does any of this mean? It means monsters want to eat your curly toes, of course. Well, at least in the minds of suggestible children. But more than that, it explains why almost all kids will at some point in their years benefit from monster spray - or its equivalent in using art to cope without. It offers clues that help us to understand a very prominent origin of the monster-related interests of illustrators since before their adolescence. It’s an area of significance because while all of the works featured in this issue are delicious, it’s often a stimulating muse to penetrate beyond gorgeous aesthetic to uncover meaning and purpose. 

Let’s consider that a moment: the artistic value behind kids and critters. We’re soon to identify with our Featured Artist but we will benefit from inspecting his work before we move on to our accompaniment of Unfriendly Foes. 

The personal insights of Daniel Alexander (subway-cat) will help us relate to the motivations behind his body of work and likely that of others too.

From rabbit gladiators to oversized cats and everything in-between, the work of Daniel Alexander is eye-candy that will leave you in puddles of your own saliva. Fair warning, wouldn’t you say? Before we gobble him up in his interview – let’s take a preliminary look outlining who Subway Cat is. It should be noted that “Subway Cat” is in fact a collective of Daniel and his companion, so to view his work more exclusively, head over to an older account: RyuDan.

This guy’s visual eloquence is nothing short meticulous and demonstrates his utmost care and attentive prerequisites to drawing. Indicative of his spiritual interests, Daniel’s lands, moons and worlds exist beyond many hills from here and are revealed to us as though from behind a window gazing into his consciousness. His control for the subjects seen in these works is reminiscent of the control he practices for his thoughts more generally. 

Daniel collaborates with great frequency alongside such artists as pacman23 and FabianMonk  and is hugely involved in art related forums like SatelliteSoda. Storytelling and combined fantasies look like other crucial components to Daniel’s work which we’ll explore in more detail after learning why good monsters are instrumental to this...

These critters mostly wander the dim, cold city streets during the early hours, finding toes to return them to rightful owners. Lots of foes drop them when they feed... Additional to this, they may emerge from your closet during sleepy time but only to fill up their Scare gauge. They're prompt and never take more than a few minutes - so you're all good.

From haunted to haunter...

Imaginary Friends are often monster meditations of artists who delight in the control they have over these otherwise devious critters. As artists, we’re in the driving seats – or under monsters’ beds – in a role reversal that’s spiritually satisfying. Imaginary Friends are a product of our grown-up monster-friendly way of taking back control and depicting them devoid of guts and toes.

Ultimately, it doesn’t matter if monsters aren’t tangible, real things like puppies of the corgi kind. It’s the artistic expression resultant from believing otherwise that almost acts as a self-fulfilling prophecy. You see, it’s often the case that creatives themselves become the characters they invent. We live as many heroes - and villains too; our abstractions of reality through art is the motivator in this process of creation.


"The monsters of our childhood do not fade away, neither are they ever wholly monstrous. But neither, in my experience, do we ever reach a plane of detachment regarding our parents, however wise and old we may become. To pretend otherwise is to cheat."
- John le Carre, detailing the prevalence of monsters in all life, both young and old!

Below are works by kick-ass artists who embrace the concept of monsters, followed by an interview that probes this fascination in detail. Both imaginary friends and foes will be present, so you might want to think about topping up on your monster spray…

Pivotal Moments by DanielAraya 

Daniel Araya is an artist whose preoccupation with that which isn’t true to life by means of artistic expression makes use of realistic form that brings his ideas that much closer to reality. We will illuminate about the ‘pivotal moment’ that we all experience in art before bringing this issue to a close - just after the interview. Following this, be sure to indulge yourself in the immersion that comes with the work of DanielAraya. What’s more is that both DanielAraya and subway-cat make appearances in a recent publication called “The Master of Anatomy”. Just sayin'!

Interview with subway-cat 

Why do you draw kids and critters? And does your cartoon style enhance the unreality of your fantastic worlds and situations in which you place them?

Ha! I do draw kids and critters, but overall I like playing with contrast and exaggeration to increase the ‘sensitivity’ and impression of the piece; sort of like theatre when it comes to exaggeration in acting. As for style, I always try to be evolving it into something that gives me enough freedom to play with and be able to express what I want - even if I’m not showing the face and I’m letting the viewer imagine it.

Something more specific to ‘realistic’ cartoons: you've started to paint your cartoons with more form than before. Do you find this semi-realistic aesthetic eclipses the premise of fantasy in your work or does it enforce it?

Whoa! Hmm. I don’t think it eclipses it – actually, anything well-managed can achieve the artistic intention, even if the painting is not semi-realistic and cartoon: for me it’s just about the clarity and ‘lucid’ thinking. But I don’t think I’m the right person to auto-judge my own work!

So, with it being a very conscious effort by you to develop your style according to the intended piece; would you say that fantasy becomes more or less true to life in mostly realistic styles? Maybe you could mention an example where you used it to facilitate a purpose before.

Probably with a realistic style people can imagine them better in the real world; hence the style is “realistic”! But that doesn't allow much room for viewers to imagine things and to be stretching their minds.
Personally, I'm not too fond of realistic styles. While I respect artists that do it - ‘cause it requires tons of hard work and mad skills - I like to go with more freedom and fun styles.

Imagination seems important to you! We’ve mentioned how the media transforms young minds to be stimulated around monster themes. Does your commercial work inform your interests around kids and critters or does it distract from it?

Well, I would love to be doing more commercial work, so I think right now it distracts from “kids and critters” but every artist should work hard in letting their work inform their interests. To control and achieve what you want to do with your pieces is key to creating the emotions you want for your viewers. 

When monsters are alright...

The process of art is an escapist trait we use to detach ourselves from reality or simply life. In communicating this escapism to people outside of our worlds is an intimate gesture and wonderful gift. It’s an unspoken arrangement between artists and appreciators – or anyone else engaging mutually with the experiences of creative expressions being shared. It’s a quest of introspection for us to reflect on ourselves in response to art.

After all, we search for answers as kids that nobody has a clue for. Anything outside of our own self is uncontrollable and unpredictable; the pivotal moment is when we master our anxieties and adapt in accordance to change. Monsters are alright, you know. Once you’re in control of your own monsters it’s easy to appreciate them and show them to the world...

Of course, when you fight monsters you become one in the process. We're all monsters in our own little ways - we aren't so different from imaginary friends or unfriendly foes. On that note, here are some things to think about...

1. What are your monsters? (eg. illness, art-block, nagging cats who are always hungry)

2. How do you overcome your monsters? We’d be interested to know your means of intervening when things get out of hand!

1. Pigtails or curly toes? Why no nails for the latter?

2. Why do you get a kick from hiding under our beds? Got rent for that?



Chris Palamara

Digital Artist | Cartoonist | Professional

United Kingdom


Fun Facts:
Chris' quest of all quests was embarked during his formative years when he first learned to use what was almost certainly a ''Staedtler'' HB grade pencil. Since then every shenanigan to do with his expression through pictorial description has been a product of holding that unsuspectingly pivotal pencil - totally equivalent to the first time Harry held a wand (yes, he instantly became windswept as the pencil illuminated in his hand). Like Harry, Chris had to find the perfect companion through which he would find means to achieve his ambitions - currently, this is a Cintiq 13HD (double unicorn hair).

Digital art has since been of tremendous passion of Chris since discovering the medium after countless instances of discarding the notion of ''digital'' art being having been taught through very traditional means. Deviating from these strict criteria and disapproving monkeys tutors, he learned quickly that he must fight to enter the ever-expanding, fast-developing world of digital illustration.

More stuff:
Things that are not 'true to life' is a notion that informs the work of puddlefisher tremendously, due to his experiences of 'psychosis' that creates abstractions of reality in itself. He therefore values and identifies with the escapism of the worlds that he creates and the characters that he becomes within them and quotes, "Once you’re in control of your own monsters it’s easy to appreciate them and show them to the world."


Add a Comment:
IceLaws Featured By Owner 16 hours ago  Hobbyist Digital Artist
puddlefisher Featured By Owner 14 hours ago  Professional Digital Artist
You. You shall meet Mother. :|
IceLaws Featured By Owner 14 hours ago  Hobbyist Digital Artist
puddlefisher Featured By Owner 3 hours ago  Professional Digital Artist
I'm all out. Traded for LVL100 Charizard, no regrets.
(1 Reply)
AlexGarner Featured By Owner 3 days ago  Professional Digital Artist
Thanks for the DD! Really like your gallery too; very cool Wendling-esque art style.
puddlefisher Featured By Owner 3 days ago  Professional Digital Artist
Oh, by all means Alex! I've been following real fondly you for a while so it is my privilege. :eager:
I looked 'em up - you're right! I'll enjoy investigating her some more. Also, thanks for the :+fav: and kind words.
Keep rockin' that art!
The-Kawaii-Artist Featured By Owner 3 days ago  Hobbyist General Artist
omg your icon is SOOOOOO adorable!!! Love 
puddlefisher Featured By Owner 3 days ago  Professional Digital Artist
Ah! Thank you muchly!
The animation I made was longer but dA only accepts 15kb .gifs! :iconwhutplz: rawr!
The-Kawaii-Artist Featured By Owner 2 days ago  Hobbyist General Artist
Dat Derp 
HappinessJustStop Featured By Owner 3 days ago  New member Student Digital Artist
Watch back?
Crystalas Featured By Owner Oct 11, 2014
heya up
Mr-Sage Featured By Owner Oct 7, 2014  Hobbyist Digital Artist
Brains or I riot.
puddlefisher Featured By Owner Oct 7, 2014  Professional Digital Artist
And if I refuse with fresh vegetable alternatives? :stare:
Want to see in the dark? carrot It might prove useful in future riot endeavours.
Mr-Sage Featured By Owner Oct 7, 2014  Hobbyist Digital Artist
:iconriotplz: :iconangrymobplz: :iconzombieapocalypseplz:
Getanimated Featured By Owner Oct 7, 2014  Student Filmographer
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